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Album Reviews

Stars Are Blind, and so were Critics: Why ‘Paris’ by Paris Hilton is timeless

Paris is out on Warner Records The wrath of critics was once feared, with faded rockstar dreams inspiring embittered opinions, and not too long ago, these opinions were the only ones you would hear. There were no social media platforms to voice opinions or stan armies to rush to an idol’s defense. Rather, the quality...

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The Greeting Committee ‘Dandelion’ Album Review

Dandelion is out via Harvest Records Three years since their sparkling debut album, Kansas City alt-rock outfit The Greeting Committee comes back with a bite on Dandelion. A tight ten tracks, their sophomore LP is a raw journey of introspection. Album opener “Can I Leave Me Too” was also the first released single and sets the...

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marina ancient dreams in a modern review

Marina ‘Ancient Dreams in a Modern Land’ Review

Ancient Dreams in a Modern Land is out on Atlantic Records From the left-field confessionals of The Family Jewels to the world-weary lyricism of Love + Fear, Marina has always been an anomaly in pop music. One constant in her work, however, has always been her assertively original point of view. Even when her sound got...

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cyclorama review

Polo & Pan ‘Cyclorama’ Album Review

Cyclorama is out via Virgin Records France Francophiles rejoice; the soundtrack of the summer has arrived! Out today, French duo Polo & Pan returns with their sophomore album, Cyclorama. The album takes the posh Parisian sound cultivated on prior bops like “Nana” and “Canopee” and adds dark, cinematic twists. The result is a phantasmagoric soundscape...

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olivia rodrigo sour

Olivia Rodrigo – Sour – Album Review

Sour is out via Geffen Records Less than six months after her life-altering debut single “drivers license,” teen pop star Olivia Rodrigo has delivered Sour, her sparkling debut album. Sour explores deeply personal themes of heartbreak, failure, and insecurity that transcend Olivia’s age. From betrayal (“traitor,” “happier”) and anguish (“1 step forward, 3 steps back,” “favorite...

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sam gellaitry iv ep review

Sam Gellaitry stuns on long-awaited ‘IV’ EP: Review

IV is out via Viewfinder/FFRR/Parlophone Sam Gellaitry has unveiled his long-awaited EP, IV, and it’s phenomenal. Never one to shy from emotive soundscapes, blasting bass, and quirky virtuoso synth work, Sam’s new project reveals a multi-faceted producer and songwriter successfully pushing the boundaries of his creative magnitude to deliver a special project. Clocking in at 13...

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claud super monster

Claud – Super Monster – Album Review

Super Monster is out now via Saddest Factory Records As the first artist signed to Phoebe Bridgers‘ new record label in October, Claud‘s next step has been highly-anticipated for months. Now, they’ve unveiled their debut album, Super Monster, and it’s a melancholic and relatable 13-track look into the singer’s experiences with love, heartbreak, and growing up....

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happiness in liquid form

Alfie Templeman – Happiness in Liquid Form – EP Review

Happiness in Liquid Form is out via Chess Club Records Alfie Templeman has shared his fourth EP, Happiness in Liquid Form. The six-track release sees the 17-year-old artist at his most confident, most colorful, and most experimental. Inspired heavily by indie-pop and psychedelic rock, the EP perfectly blends lush, organic instrumentation with synths and textured sounds....

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notes on a conditional form

The 1975 – Notes On A Conditional Form – Album Review

Notes On A Conditional Form is out via Dirty Hit/Polydor/Interscope Notes On A Conditional Form, the highly-anticipated fourth studio album by Manchester-based quartet The 1975, is finally out. While it was never easy to put them into a box, push everything you believed about their sound aside, and you’ll appreciate their new record. It sees The 1975...

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onyx collective manhattan special

Onyx Collective – ‘Manhattan Special’ – Album Review

Manhattan Special is out via Tmwork Records NYC-based jazz group Onyx Collective has shared a new album, ​Manhattan Special​. The ten-track record reaches into the Great American Songbook, reimagining some of the classics written by composer Richard Rodgers (1902-1979) and his writing partners Lorenz Hart (1895-1943) and Oscar Hammerstein II (1895-1960). Led by saxophonist Isiah...

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